whebrokers.blogg.se - Maschine sample chops

Here is a list of links you guys may find helpful.Ĭreativecommons. Join this group to share your tracks created using maschine with like-minded artists from all over the globe! Singomakers are back with an ultimate collection of 400 Vocal Chops & Loops sample pack Including 200 original vocal sampler patches (Kontakt 2.2+, Reason’s NNXT, Apple Logic’s EXS24, Ableton Simpler/in Ableton Pack), 400 Brand New Groovy Vocal Chop Loops (200 Processed and 200 DRY), 200 Vocal Shots, 42 Bonus Loops from demo track and 436 REX2 Files - all the secret ingredients to spice. Posts engaging in illegal activities will get you a warning and then a ban for the second offense Ī hub for maschine users to submit /r/maschine tracks Self Promotion is highly encouraged-good, bad, done or not, it doesn't matter, we can't expand our knowledge and skills without feedback from each other.

Anything else that may relate to this awesome tool.

Pros/cons "should I buy" ( BUY IT) type questions.

What was your inspiration? What did you use to create? And how did you utilize MASCHINE in it? **DO NOT post with nothing about it.**) A place for discussion of Maschine, Maschine Mikro, MPCs, and anything else with tappy pad triggers:** create 4 variations of chops A.intro B.chorus or hook C.verse a D.verse b Instruments Sub bass (Trees preset is a great start) Add distortion and automate Add low pass filter to solidify the bass with new automation Layer with.

( If you are sharing a single or WIP, tell us something about it. duplicate 2x (3 of the same chop samples).

Chopping up samples and creating instruments out of them is all part of the art of sampling. It helps fatten up the sound and the natural amplitude curves of these unsliced sounds might help mask the artificial truncation of your slices.For Questions regarding buying or selling used Maschine products and transferring licenses please click -> HERE Maschine makes it easy to save your chopped samples into kits th. Layering is self explanatory, I imagine, but it's worth noting I mean unsliced individual hits. This adds a natural hint of release to the sounds which is ultimately what you're going for. The idea is to use only a dash - if somebody can tell these effects are applied without really paying attention then you've added too much. For example, put a tiny amount of delay (milliseconds only with a FB amount of around 10-30%) mix with a predominately dry signal or perhaps a touch of reverb.

If the jam at the end is the end result of chopping samples (I skimmed, like I said) it sounds like what you're searching for are drums with a little less "cut" and a more natural bleeding effect across each other, yeah? This is accomplished in part with polyphony but chiefly with layering and subtle uses of effex. (No clue if this is in the ball park of your desire). Layering them with other drums is another. Slicing based on transient detection is a start. No idea who Apollo Brown is but can you elaborate on your methodology a bit (or give audio example of what you want vs.